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It is therefore argued that this ownership of shunga was not superstitious, but libidinous.Shunga may have served as sexual guidance for the sons and daughters of wealthy families.At this point, it was found among the courtier class.Through the medium of narrative handscrolls, sexual scandals from the imperial court or the monasteries were depicted, and the characters tended to be limited to courtiers and monks. While other genres covered by the edict, such as works criticising daimyōs or samurai, were driven underground by this edict, shunga continued to be produced with little difficulty.

Almost all ukiyo-e artists made shunga at some point in their careers.ATARI " data-medium-file=" w=300" data-large-file=" w=604&h=402" class="size-large wp-image-1603" alt="ATARI" src=" w=604&h=402" width="604" height="402" srcset=" w=604&h=402 604w, w=1208&h=804 1208w, w=150&h=100 150w, w=300&h=200 300w, w=768&h=511 768w, w=1024&h=682 1024w" sizes="(max-width: 604px) 100vw, 604px" / Been asked this question 3 times in the last 2 weeks. w=604&h=360" width="604" height="360" srcset=" w=604&h=360 604w, w=150&h=90 150w, w=300&h=179 300w, " data-medium-file=" w=300" data-large-file=" w=604&h=360" class="size-large wp-image-1604" alt="We had the Atari 400 in my home as a kid." src=" Kyōhō Reforms, a 1722 edict, was much more strict, banning the production of all new books unless the city commissioner gave permission. However, since for several decades following this edict, publishing guilds saw fit to send their members repeated reminders not to sell erotica, it seems probable that production and sales continued to flourish.Shunga also faced problems in Western museums in the twentieth century; Peter Webb reported that while engaged in research for a 1975 publication, he was initially informed that no relevant material existed in the British Museum, and when finally allowed access to it, he was told that it "could not possibly be exhibited to the public" and had not been catalogued.

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